Architecture as Drag
Author: Katarina Bonnevier
Tags: #Parity Talks VI
Dr. Katarina Bonnevier (Stockholm & Sankt Anna, 1970) is an artist, architect and researcher. In her practice of building and set design, art installations, performances, workshops, lecturing and writing she explores relations of architecture, aesthetics and power, especially from gender perspectives, informed by theatricality, queerness and the more-than-human.
She is currently engaged in artistic research Troll perception in the Heartlands (affiliated to Linnaeus University, Växjö, funded by the Swedish Research Council), a transdisciplinary design project emerging out of southern rural Sweden, expanding the formal field used to generate sustainable future scenarios through site-specific crafting and crafting video animations informed by folktales and mythology. She is part of the upcycling workshop Möbelverkstan (with Madam snickeri), Söderköping and a founding member of the collaborative practice MYCKET (www.mycket.org). Their recent projects include the participatory and permanent public space for dance and music Kepsen at Råslätt, Sweden (Public Art Agency Sweden, Mix Dancers Academy, Vätterhem, Jönköping municipality, Swedish National Board of Housing, Building and Planning, 2016-20), Kämpaoke – the karaoke bar with protest songs that care, Stockholm Culture Festival, Public Art Agency Sweden, 2019), The Grotto of Naiads (transformation of pedestrian tunnel, Haninge, 2018). Bonnevier received her Master in Architecture (1997) and her Doctoral degree (2007) with the dissertation Behind Straight Curtains: Towards a Queer Feminist Theory of Architecture (Stockholm: Axl Books, 2007) from the Royal Institute of Technology (KTH), Stockholm. She holds a M. Arch from Iowa State University, 2001, and has extensive experience as educator (KTH, Konstfack, HES-SO).